Los Crustaceos / Vacuum split



If I had been able to, I would have offered a review here of Los Crustaceos' self titled EP. Unfortunately of the three links that Cloromiro, the vocalist, sent me, this was the only one which worked. What we have here though is a fine slab of raw, angry powerviolence at its best. So, instead i'll simply review Los Crustaceos' side of this split, and you can all make do with that until i get hold of a copy of the EP. This split is more than enough to keep you happy until then though, and i'll tell you why.

Los Crustaceos formed in the distant nation of Chile in 2008. They rehearsed once and stuck a video on youtube, then went straight in for the jugular with a show with Czech band Onanizer. After this show, Cloromiro states, the band decided to go in a more Powerviolence direction, having previously been more of a thrashcore outfit. Along with Vacuum and RichardHarrison, they began playing vicious powerviolence with a no-holds-barred rawness that is equal to any powerviolence emanating from the states or Europe. Their lyrics and their imagery do not, as far as i can tell, represent their views - the band are vegans and have appeared at an animal liberation rally. However, Cloromiro tells me their lyrics are sarcastic in nature and reflect rather nihilistic points of view.

With a ripping punk guitar sound that slices through the psychotic yelling like a wall of distortion, the songs are short frantic bursts of power, a chaotic and very angry style. The speed of the playing is incredible, tidy neat little blasts perfectly sculpted into structures slightly more complex than your average powerviolence band. The vocals slip between high screeching and a more hardcore style of yelling/shouting, seamlessly blending into the noise of the overall piece. Consisting of simply a drummer, guitarist and vocalist, the overall sound is an overwhelming wave of brutality that feels like getting punched in the face, to put it lightly. They carry a raw anger which seems to be lacking in a lot of contemporary powerviolence, but they seem to manage to keep the songs fresh and interesting with varied riffs and structures that would be considered slightly more complex than say, Dropdead, for example. They remind me more of Plutocracy, but whereas with Plutocracy they are hard to call a powerviolence band, these slip into the genre with ease. This band also use a lot of samples in their music, and even have a cheeky reference to Plutocracy with a hip-hop outro. They have a small following within Chile, and have played throughout the country in both the north and south. However, despite having a wide and varied punk/hardcore scene, Los Crustaceos are one of the only bands in Chile taking it to the next level with this kind of stuff.

The only problem, if there is one, is that this is a relatively small split. The songs are short, and Los crustaceos' side of this split is no longer than five minutes long, which is a real shame because it leaves you wanting more. A whole lot more! As of yet they have only released this split, a live split with another band, and their self titled EP. The self titled EP is hard to find but the live split is available on numerous blogs. Luckily they have more plans - a split with fellow Chileans RichardHarrison, and a 5-way split with some fastcore bands. But still, this split could have done with more material from both bands - and especially Los Crustaceos. They could have easily had double the amount of songs here, and it still would have been short enough to leave you wanting more. Undoubtedly, these will be a band to watch out for on the international scene, as they may be tearing it up someplace near you soon if they carry on in this way. Overall, this is a quality piece of Powerviolence perfection, solid in every way except length. Definately one of the better powerviolence bands i've heard in the past few years, Los Crustaceos are gonna blow your mind if you give them the chance.


Myspace

Last.fm

"Like a Crow Attacking a Vinyl Player" (Atomck and Paucities Split, 2011)

One day I was on the train home, when my train somehow ended up taking me to Narnia, and whilst asking the locals of Narnia for directions back to reality, I spotted a man dressed up in a full suit of armour, thinking he also was a local I decided he may very well know the route home, as the other locals seemed intent on finding their way to Mordor for some reason, and knew not of the fair city of London, but said it may lye between the realms of Atlantis and New Vegas. Mustering up enough courage to ask the foreboding man I approached him and asked "Excuse me kind sir, noweth thee, the route one may take to reach the city of Londinium" To which he replied "Fuck knows! I was on my way their also, to go to an art convention, I was supposed to showcase my work in the Museum of fine arts (as us Londoners like to call it "the building which contains overpriced pieces of paper"). Having realised we were both looking for the same destination, we decided to trek together and hope to finally find a path to London. Along our arduous journey I learnt many a thing of this masked stranger, finding further that we shared many a thing in common, from our mutual disdain for dolphins and 8 sided shapes, to our shared passion of Grindcore and Haribo. As we proggressed he delved further telling me of his band Atomck, and he wished to create the greatest pokemon tribute band the western hemisphere had ever heard via the medium of Grindcore.
As it transpired the land we thought to be Narnia, turned out to be Bracknell, and as was southern Railway custom; all passengers are given suits of armour to protect themselves from the drug fiend locals, who have tendency to stab at anything that broadly reminds them of Jeremy Kyle.
Luke's own Artwork

The identity of this masked stranger, is non other than fellow grindcore zealot, and grindtodeathian Luke Oram. Who contrary to their self styled pokemon outlook on grind, play a blend of chop and change grindcore and psychedelic electronica with a pulsating vein of progressive guitar work. I feel I have best described Atomck via twitter, as a crow attacking a vinyl player. The crow being a metaphor for the unnaturally high heinous shrills screeched out at ear drum blistering proportions, who surprisingly hasn't wreaked his vocal chords enough, to allow him to juxtapose the highs with a bellowing booming of equal ear torturing proportions. 
Having pestered Luke in many of a conversation, I am well aware of his love of progressive rock, which shines throughout offering a really fresh injection of new blood to the heaving mass that is grindcore. They have for the purposes of this split and future releases, brought a human drummer to their traditional drum machine operated percussion, bringing a human element to their abstract quasi-death/grind/electronica/prog which in all honesty is a mindfuck to even begin to unravel. Having just spent the better part of the last two weeks at uni stressing the importance of independent judicial review, I feel somewhat of a nepotist hypocrite stating on this site that I really do enjoy listening to Atomck. I feel by well and far you will have a hard time finding a band who are equally as idiosyncratic and enjoyable as Atomck
Taking the remaining 2 songs on the split, we have Chicago's self-styled Repulsion grinders Paucities. Starting off with the traditional gore ethic as established by Impetigo, of sampling b-list horror flicks, we then are introduced to lo-fi high reverb buzzing drumming and guitaring in a manner akin to early grind days cassette days mums basement recordings. Although I do admit I like the general direction the music goes in, I can't say its repulsionesque in any form, the recording quality really does make this half of the split irritable to listen to. Being a child of the 90's I may lack the appreciation of lofi basement grind, that I am sure many a reader here once partook in, but for me the audio quality resembles that of one cassette player recording the output from another cassette player which fails to bring any hope of hearing the finer points of their musicianship.
Another critique is that the vocals really are awful, half the time they sound like an angry Alsatian who demands his dinner, and at other times, sounds like the scenes from The Exorcist played on a dusty VCR through a 1950's television.
Committing to purchase splits on the basis of one half being amazing and the other not so credible, on the advice given by a stranger is a risky grindcore related investment, well luckily for you fair lads and lassess of the realm, this release is 100% free so fuck off and download it and make your own opinions for a change (Just Kidding please come back! You guys are my only friends!)




Swedish Formality (Livet Som Insats / Raw Hate, 2010)

Normally when I think of Sweden, I depict fierce cold weather and stunningly beautiful blond women... not Grindcore. Don't get me wrong Sweden has its class acts, but its not necessarily crawling with good Grind bands. Despite these preconceived thoughts of subliminal nationalism, something lucrative has emerged from the profound depths of the northern hemisphere. The Livet Som Insats / Raw Hate split is an upcoming release from both groups of Swedish maniacs that is going to diabolically corrupt your eardrums and possibly inflict tinnitus. Livet Som Insats personally sent this split in for us to review and when the job went up for grabs, I just had to take matters into my own hands.

Raw Hate begin with a flurry of cymbals and a simple punk riff that repeats over a mid-paced alternating drum beat. The Vocals are hoarse yells that really add to the raw punk feel that Sweden is well known for and suit the music really well. The guitar work is a bit repetitive, as is most Hardcore Punk but this seems a bit below average, apart from the occasional random solo. The band provides three tracks that seem to sound quite the same and there is no distinct difference between each. This is normally not an issue for me, but I got bored after a little under the two minute mark. The band overall does an okay job, but its definitely nothing that stands out or that will be remembered. My advice to Raw Hate would be to make it noisier, and a bit more RAW. They seem to have the right idea but need to mix things up a little bit, maybe add in another vocalist. Anyways, that's my take on these guys, moving on to the next.

Livet Som Insats start with a brief drum-thumping intro that quickly turns into a belligerent frenzy of pummeling chaos. The vocals switch constantly from a hardcore yell to an agonizing shriek that is definitely my favorite and used quite frequently. Guitar work is far more Metal then Punk and you can hear a lot of Sayyadina influence in their music. I feel that the guitar should be turned up a bit though, seeing as how the vocals are the main focal point, some of the riffs are pretty catchy and should be turned up enough to really impact the listener. Drums are very nicely recorded and played on this split, my only complaints being that the snare drum sounds too soft and weak like the drums on the Birdflesh album, Alive Autopsy/Trip to the Grave. Overall this is very good, my favorite track would have to be Skuld, due to the sheer amount of ferocity directly from the beginning that smoothly transitions into a head-bobbing groove. I foresee this band going places and I really hope they keep at it and release a full length soon, along with an arsenal of other releases. This split is definitely worth checking out and will make an awesome collector's item when this band gets big in the Grind scene. They definitely have a good mix in their music and keep things interesting, I could totally see this band playing Obscene Extreme Festival alongside with other great bands. Like I said, musically this band is pretty legit, just a few production tweaks need to be made for maximum performance. Livet Som Insats, live on!

- Cody

FCUK (Sylvester Staline/Joe Pesci)












Historically the worst of foes, but now on good terms the cheese eating surrender monkeys (I kid, I love the French) and the Queens glorious subjects have come together to release an ultra fast baseball bat to the face Powerviolence & Noisygrind double act. Aside from the Hollywood namesakes, these guys have one other thing in common and that is to produce music that is fast, and I mean break neck, I wouldn't be in the least surprised if their hairtrigger supersonic drumming didn't breach the sound barrier..
Sylvester Staline bring to you some of the meanest powerviolence available on the street, listening to the music just wants you scream and to thrash about your room, throwing all manner of Ikea furniture out of the window hitting unsuspecting passer-bys.Lyrics are ultra-punk fast paced screams of rude, abusive and amusing subject matter, not that you can ever keep up, and kudos to Lord Crust described as the 6 string ayatollah for making sure the sleazy punk feel is not lost in the haywire of playing so fast.
As for fellow Kinsmen Joe Pesci, expect nothing but the best AxCx worship you have heard ever. The only subtracted element by  Joe Pesci is the blatant and sometimes comical; sexism, racism, and pro Nazi themes  which we are an unsure if Anal Cunt really advocate or just do so for laughs, however they do keep lyrics and song titles in line with more unprejudiced AxCx with song titles like Crouching Tiger, Biro in the Neck and Thats not a cat. Drumming has been raised from typical incoherent inaudible mess, to a level where one can actually hear and recognise it, but fear not vocals and guitar work are about as Noisecore one can get before merely becoming noise.
I am not even too big on Noisecore and Powerviolence, yet I still love this gem of an album, but
these guys don't care what you and I think, hell S.S myspace even tells you "if you want a good band listen to another one", both bands just play fast, loud and carefree, so if you still not interested, in the spirit of the bands I will politely say "Fuck Off!"