The Great Southern Buzzkill (Review: Koresh - Chump, 2013)

It's a testament to how varied the world of extreme metal has become when even a descriptive term as nuanced as 'sludge' has come to mean entirely different things to different people. Take London based riff merchants Koresh's latest for example; a release that falls firmly in the sludge category, and yet anyone expecting hour long dirges will likely come away disappointed. If, on the other hand, you've been on the hunt for a collection of filthy, Sabbath infused punk songs about Terry Wogan (and I'm pretty sure that's what I've been searching for my whole life, I just didn't know it yet), then you're in luck! Koresh's sound borrows from all the great sludge luminaries (you know the score by now, Eyehategod, Iron Monkey, Buzzoven, all that good stuff), but ramps up the speed, resulting in a furious blast of down-tuned nastiness.

The disjointed, lurching grooves of 'Bin Juice' are pretty damn irresistible, whilst the aforementioned 'Wogan' sounds like a bunch of meth fiends fumbling their way through 'Electric Funeral' (in the best possible way, of course) and the supremely titled 'Adolf Hipster' wouldn't sound out of place on a later Black Flag record. In fact, the closest they get to that standard sludge dirge is on 'Cheer Up Glasgow', but even then their tongue remains firmly in cheek!

These guys fit right into that lineage of filthy, punked up sludge that the UK seems to do so well. Indeed, with their dual vocal approach and heavy punk influence, it's tempting to view them as spiritual successors to Nottingham sludge heroes Bumsnogger, and anyone who dug that band's lairy, booze soaked take on the genre will also find much to enjoy here. There's a subtle noise rock influence at play here too, most noticeable in the massive sounding closer 'You Can Call Me Gaahl', but it also manifests itself in a number of quirky, weird riffs that occasionally shine out from between the sludgy murk (check out that bizarre, jazzy little break in the midst of opener 'Straight Edge Till Midnight'.)

There's also a strong sense of good ol' fashioned, hard rocking fun; if Eyehategod are the sound of the worst comedown you've ever had, then Koresh are surely the delirious sense of intoxicated jubilation that followed the night before. Koresh may not set the world alight, but they're a fine addition to the already impressive Witch Hunter Records roster - plus they're sure to absolutely destroy any venues they hit in support of this EP, and ultimately, isn't that what really matters? - Kez Whelan

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Witch Hunter Records

The Third Of The Storms (Review: Aksumite, Prideless Lions, 2012)

DIY tape label Colloquial Sound Recordings has had a pretty flawless track record so far, putting out a number of highly original black metal inspired releases in the relatively short period of time since its conception. Aksumite, the label’s flagship band, is comprised of two other CSR artists (from the equally great A Pregnant Light and Obliti Devoravit respectfully) and managed to bring both punk and black metal fans alike to their knees with their debut  tape last year, ‘The Gleam Of Wetted Lips’. After a couple of short demos, anticipation was running pretty high in certain circles for the band’s second full-length, and let it be known now that ‘Prideless Lions’ delivers in spades.

Unlike many of the black-metal-meets-punk-rock albums currently doing the rounds, ‘Prideless Lions’ is a very diverse listen, from the galloping Venom-on-steroids of ‘Via India’ to the anxious stop-start riffing of ‘Brazen Ape’, Aksumite manage to cover a lot of ground and prove they’re not just one-trick ponies pounding out the same recycled Hellhammer riffs ad infinitum. The song structures here are pretty interesting (especially considering they’re all mostly under the 2 minute mark), keeping you on your toes with a number of captivating ideas, unexpected revelations and, of course, some of the most raucous riffs in the business. ‘Priory of Aksum’, for example, begins as a psychotic ‘A Blaze In The Northern Sky’ style rampage before giving way to a riff that sounds like a glimpse into an alternate universe where Celtic Frost formed in Washington DC circa ’81, whilst fist pumping closer ‘The Gilded Goat’ brings to mind Aura Noir jamming with Discharge on a wind-swept mountain. ‘Ezan’s Right Hand’ melds menacing old school doom with break-neck thrash, and includes a lengthy, cryptic outro complete with distant banshee wails and haunting tremolo riffs.

Just like all the other Colloquial Sound Recordings releases, the production has that fantastic practice room vibe. Everything is clearly audible, but swathed in a warm organic fuzz that gives the album a raw, live atmosphere. This is even further enhanced by the ever-present yet extremely comforting tape hiss, and in all honesty, cassette appears to be the perfect medium for CSR’s releases, as black metal especially seems to benefit enormously from the intimate idiosyncrasies of tape. The guitar tone here is fantastic, bringing to mind 80’s hardcore punk more than it does the harsh, trebly qualities of a lot of black metal, which makes the more BM inspired sections sound particularly fresh and energetic.

‘Prideless Lions’ sounds tighter and more focused than the band’s previous efforts, with the vocals especially sounding more confident and passionate than ever before. Whilst evidently taking a large ammount of inspiration from the past, the band still sound like a breath of fresh air, and have more in common with Venom’s debauched sense of fun than they do the elitist posturing of much of the lesser acts that followed in the wake of black metal’s second wave. Aksumite have seemingly achieved the impossible; a perfect blend of punk rock and black metal without sacrificing the integrity of either of those genres. If you’re a fan of Celtic Frost, Discharge and latter-day Darkthrone, then this is a must-have, but you’ll have to be quick! This tape has been pressed as a limited run of 100 copies, so head over to the Colloquial Sound Recordings website now if you want to get your hands on one. Just keep those painkillers ready, because your neck is gonna be sore by the time this tape has finished...

Colloquial Sound Recordings